Page 56 - The Flame
P. 56

NLIKE  many  students  who  have  grown  apathetic  to  the    then reported in their respective classes.
               societal issues that confront the nation, acclaimed film di-  After finishing his degree, Libiran continued to fight for his ad-
         Urector Jim Libiran has courageously stepped out of what is   vocacies, but now in the field where he later on became known
         conventional, making use of his diverse talent in the field of multi-  and successful—the mass media.
         media arts to voice out his generation’s clamor for change.
           Despite the contradicting opinion expressed by his professors   Media career
         and other superiors, Libiran and his colleagues focused their atten-  Fresh from graduation, Libiran worked under Abante, one of
         tion in pushing for change that made great difference in the Fac-  the  leading  tabloids  in  the  country,  from  June  1987  to  August
         ulty of Arts and Letters (Artlets) during the period of martial law.  1989. He served as its managing editor and editorial writer.
           Armed with the different experiences he went through in life,   He later on worked as the world news writer of Dyaryo Filipino,
         various opportunities opened up for him, giving him the chance to   followed by a stint at Bandera and The Manila Times. Alongside
         do what he really want in life—shoot films that voice out socially   his job as a writer, he also became part of the non-governmental
         relevant messages to Filipinos.                      organization Labor Education and Research Network (LEARN).
                                                                 With the encouragement of his professor Josephine Placido-
         Student activist                                     Aguilar, Libiran taught Journalism in Filipino and Sociology of Mass
           A graduate of AB Sociology in 1987, Libiran entered the doors   Media in Artlets back in 2002.
         of the Faculty with a strong will. He eventually became a student   After his teaching job, he focused himself on his broadcast jour-
         activist  during  the  dictatorship  of  the  late  president  Ferdinand   nalism career and entered ABSCBN-2 as a reporter. Brought by his
         Marcos.
           “Noong  panahon  namin,  sabi  na-  “Kung gusto niyong maging astig, you have to go
         min  kailangan  maging  militant  yung
         mga estudyante ng Sociology. So lahat      beyond. Lagi kong sinasabing kapag walang
         ng  mga  aktibista,  pumasok,”  Libiran                    danger, corny ‘yun. Walang thrill.
         said, recalling that the active participa-
         tion of students flourished and reached                              Wala kang matututunan,”
         its peak when former Senator Benigno                                                                     - Film Director Jim Libiran
         “Ninoy” Aquino, Jr. died.
           Being part of the activist movement during one of the most   hard work and persistence, he was appointed manager of the net-
         momentous  events  in  Philippine  history  gave  him  a  chance  to   work’s News and Public Affairs Division.
         speak out his mind.                                     He  later  on  transferred  to  ABC-5  where  he  was  assigned  as
           “Kristyano ka, naniniwala ka sa langit, pero bakit parang mas   Head of Production for News and Public Affairs.
         handa pang magpakamatay para sa bayan yung mga hindi nanini-
         wala sa langit?” he asked.                           Passion for film
           Libiran added that their group was unaware of the dangers en-  In  2005,  he  gratified  his  interest  in  filmmaking  when  he  en-
         tailed by activism during that period. They were caught off-guard   rolled at the University of the Philippines (UP) Film Institute.
         when two of their friends were killed.                  “Pumasok ako sa film para makakita ng mga taong [nasa film],”
           “Whistle bombs were even placed inside comfort rooms. Be-  Libiran said.
         cause of that, no one dared to use the facility, and most students   Upon pursuing his desire to share his ideas to the public, he
         were encouraged to join the strike assembly outside our building,”   wrote Tribu in 2006 and won second place in the Dulang Pampeli-
         he said.                                             kula category of the Don Carlos Palanca Memorial Awards. He later
           Libiran  added  that  the  things  they  fought  for  and  the  class-  on translated it into film, eventually winning as the Cinemalaya
         mates they lost during the period fueled their activism to burn   2007 best full-length feature. Its story revolved around the tale of
         even brighter.                                       teenage Filipino gangsters.
           Adding to this, he noted that the program of Sociology itself   It was his first project as a filmmaker, and at the same time, his
         became radicalized during his time. The usual strikes and rallies   thesis for his Masters Degree. He was one of the few MA students
         prohibited by the University became rampant as a sign of protest   who were able to produce a 97-minute full-length film as his thesis.
         against the injustices committed by those in power.     The film bagged eight international awards including Best Film
           “Init ng ulo kami noon ni Dean Villaba,” he said, further sharing   and Best Director. The success of Tribu paved the way for Libiran to
         that they were even threatened to be kicked out of the Univer-  create his second film, Happyland.
         sity because most of the advocacies they were pushing for were   “Yung risk, laging nandoon,” he said. The challenge of creat-
         against the ideals of the Faculty.                   ing another film that would surpass the success of Tribu was one
           At that time, he was the Filipino Editor of the Flame. Together   of the risks he took as a film director. Lourd de Veyra, one of his
         with the other staff, they produced an issue that contained articles   closest colleagues, once asked him what he could still offer after
         and photos prohibited by the administration.         writing something as big as Tribu.
           In his words, he described the old Faculty as “Rock and Roll na   “Kung gusto niyong maging astig, you have to go beyond,” he
         Rock and Roll.”                                      said. But he noted that threat will always be part of the whole
           There were instances when he and his colleagues debated with   game.
         their professors due to disagreements in certain matters.  Accord-  “Lagi  kong  sinasabing  kapag  walang  danger,  corny  ‘yun.
         ing to him, his firm and courageous attitude helped him win as   Walang thrill. Wala kang matutunan,” he said.
         president of the Sociological Society.                  Despite  the  awards  and  recognitions  under  his  belt,  Libiran
           However, he started to question the educational curriculum for   noted that he is still in the process of learning the ins and outs
         Sociology implemented by the University.             of  filmmaking.  He  added  that  learning  needs  ingestion  of  fresh
           “Parang sabi namin, Sociology ito, bakit palagi kaming nasa   knowledge and ideas to become effective.
         loob lamang ng classroom?” he said.
           This led to their “Rural Urban Sociology” course wherein some   Continuous path
         stayed in the mountains, lived with farmers, and spent the night   The journey he took in college and the path he continues to
         in rallies. The experiences they gathered in their immersions were   walk on reflect his unending perseverance to fulfill his passion. He

         56 | FLAME
   51   52   53   54   55   56   57   58   59   60   61